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It is a pleasure to witness the return of a genius, in a heart-rending work that leaves audiences glued to their seats, wondering what the hell has just happened and why, suddenly, the dead no longer seem so far away, appearing as they do like guides to direct our lives onward. I wrote this for my film studies class last quarter: Reworking Mulveys 'gaze' in Pedro Almodovars Volver by J.D. Then there is the miracle that is Blanca Portillo, known to audiences for her television and theatre work, who underwent a true "heartlift” to enter into the role of Agustina, a lonely, single woman whose entire family has passed away.
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#VOLVER PEDRO ALMODOVAR CHARACTER ANALYSIS HOW TO#
An icon of Spanish cinema, Maura, as the dead mother, plays the most alive character of them all, with the fearlessness and professionalism of an actress who knew how to win back the director who discovered her. After a Hollywood period marked by more shallow roles, Cruz is back "home" to display all of her talent. the theories by using the same principles/characteristics of patriarchy only he reverses the gender/sexuality roles. Although the women in front of the camera are actresses, Volver is the story of the Almodóvar family, of his sisters and dead mother, brought back to life as a result of an obvious Oedipus complex, which gets stronger as the filmmaker gets older.Īlmodóvar's love for the characters in this film is tangible because, besides the excellent performances by the actresses, one can see that they have been created to border on hysteria, which is to say, perfection.
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Volver is about life and death, portrayed here as inseparable elements that feed off of one another. Above all, Volver is an autobiographical film, in which the director tenderly portrays some of his childhood experiences, and also brings the dead back to life, allowing them to guide the story.